June 5 - July 28, 2013
Over the course of 30 years, the late Marvin and Janet Fishman amassed one of the most important collections of early twentieth-century German art, and in 2000 the Haggerty Museum of Art received a substantial gift of paintings and drawings. This exhibition includes a selection of Neue Sachlichkeit, or New Objectivity, works. A stylistically diverse artistic sensibility characterized by matter-of-fact representation of harsh realities, New Objectivity emerged during Germany’s Weimar Republic, a particularly tumultuous period marked by extreme political and social unrest.
January 16 - July 28, 2013
Images of the Virgin Mary is an exhibition of international works of art from the late fourteenth century to the mid-twentieth century. Based on the life of the Virgin Mary, the exhibition includes paintings, prints, and sculpture that illustrate the five major events of The Annunciation, The Nativity, The Flight into Egypt, The Pietà, and The Assumption and Coronation. Organized by theme, the exhibition creates a lively dialogue between artistic periods, medieval through Modern, and juxtaposes diverse styles and media.

June 5 - July 28, 2013
Many of the works that comprise the Norton Collection were made in the mid-1990s by then-emerging American artists, including Gregory Crewdson, Tim Ebner, Elliott Green, Tom Knechtel, Judy Pfaff and Alexis Rockman. The group of photographs, paintings, drawings, and sculpture included in this exhibition rupture visual and cultural boundaries to interrogate perceptions of what is considered “normal” or “natural.” By playfully fusing conflicting things or ideas, the artists explore the contradictory relationships between repulsion and desire, earthly and immaterial, fascination and dread.

June 5 - July 28, 2013
Over the span of forty years, photographer Jim Dow embarked on countless road trips across America to document the idiosyncratic qualities of banal sites—from motels and roadside diners to barbershops and storefront windows. This body of work captures the spirit of our uniquely American environment but also documents the impermanence of our ever-changing visual landscape.

Current Tendencies III features the work of 9 emerging, mid-career and established Milwaukee artists working in a variety of media including photography, painting, drawing, printmaking and sculpture. The artists participating in the in the exhibition are Tyanna Buie, William E. Carpenter, Evan Gruzis, Jon Horvath, Mark Mulhern, Jean Roberts Guequierre, Cassandra Smith and Jessica Steeber (in collaboration) and Jason Yi.
This exhibition highlights works from the Haggerty’s permanent collection selected by Marquette faculty, staff, and students. The featured works represents a wide range of styles, processes, and media created by Medieval to contemporary artists from diverse locales. Project participants will write a brief reflection on the piece they choose, expressing why they are drawn to the work and, in the case of some professors, how the work is used in their teaching practices.

January 16 - May 19, 2013
The photographers included in the exhibition Dark Blue utilize water as an active element, making pictures that are, at their core, psychological engagements. Water is often perceived as a restorative element, an essential means to health and happiness. Yet, at the same time, it is a force formidable for its potential to threaten life.
January 16 - May 19, 2013
Read Between the Lines: Enrique Chagoya's Codex Prints is comprised of editioned, accordion-folded artist books and the preparatory drawings and trial proofs created during their fabrication. The exhibition seeks to reveal how and why the codex format, made of amate, or bark, paper and read from right to left based on ancient Aztec, Mayan and Mixtec precedents, is a particularly successful artistic device for Enrique Chagoya, who combines diverse imagery and cultural references to create challenging, intricate, and richly layered objects that defy conclusive interpretation.
January 16 - May 19, 2013
Perimeter is a project commissioned by the Haggerty Museum of Art at Marquette University, in which Kevin J. Miyazaki was invited to create new work addressing the topic of fresh water and the Great Lakes. The resulting photographs capture a contemporary portrait of Lake Michigan through images of everyday people whose lives are closest to it. Miyazaki photographed a diverse group of individuals who all have connections to the lake: residents, beachgoers, scientists, dock workers, environmentalists, artists, community leaders, commercial fishermen, ferry captains, boat builders, and surfers. He identified some subjects in advance, but most were people met while traveling, and always within eyeshot of the lake. In all, he photographed more than 200 people in Wisconsin, Illinois, Indiana and Michigan.